A digital archive of Asian/Asian American contemporary art history

Results for "" in Works

Searching for Works/Documents which meet the following criteria:

Results 1 through 20 of 20

  1. Red Black White Desert #1 Red Black White Desert #1 (Work) by Gu, Wenda (1990)

    Materials and Techniques: mixed-media installation

    Subjects: Gu Wenda; deconstruction (theory); dialectic; raincoats

    Local Subjects: yin yang

  2. A Mandala A Mandala (Work) by Loewan, Amy (1999)

    Materials and Techniques: rice paper weave

    Subjects: cultural heritage; mandalas

    Local Subjects: Loewan, Amy; integration; interconnectedness; interdependence

  3. Liquid Dried Scorched Pigment Nexus #3: Liquid Dried Scorched White Liquid Dried Scorched Pigment Nexus #3: Liquid Dried Scorched White (Work) by Gu, Wenda (1991)

    Materials and Techniques: installation

    Subjects: Gu Wenda; raincoats

  4. Slant Slant (Work) by Lim, Choong Sup (2003)

    Materials and Techniques: mixed media installation

    Subjects: geometric patterns

    Local Subjects: Lim, Choong Sup

  5. (Title Unknown) (Title Unknown) (Work) by Kotani, Akiko (1981)

    Materials and Techniques: cloth sculpture

    Subjects: three-dimensional

    Local Subjects: Kotani, Akiko

  6. Strip Mines Strip Mines (Work) by Kotani, Akiko (1984)

    Materials and Techniques: woven mural

    Subjects: landscapes (representations); mines (extracting complexes)

    Local Subjects: Kotani, Akiko

  7. Dreams #1 Dreams #1 (Work) by Kotani, Akiko (1986)

    Materials and Techniques: mixed media tapestry

    Subjects: dreams

    Local Subjects: Kotani, Akiko

  8. She X He She X He (Work) by Gu, Wenda (1987)

    Materials and Techniques: mixed media painting installation

    Subjects: dialectic; deconstruction (theory); Gu Wenda; language (verbal communication)

    Local Subjects: meaning

  9. Inspiration Comes from Tranquillity Inspiration Comes From Tranquility (GING. ZHE. SHENG. LING.) (Work) by Gu, Wenda (1987)

    Materials and Techniques: tapestry installation

    Subjects: Gu Wenda; language (verbal communication); tapestries

    Local Subjects: meaning

  10. Self Portrait #22 Self Portrait #22 (Work) by Le, Dinh Q. (1990)

    Materials and Techniques: photo-tapestry

    Subjects: hands (animal components); heads (representations); identity; Lê, Dinh Q.; Renaissance; self-portraits

    Local Subjects: duality; self

  11. Untitled Untitled (Work) by Le, Dinh Q. (1998)

    Materials and Techniques: photo-tapestry

    Subjects: Cambodia (nation); heads (representations); Lê, Dinh Q.; portraits; symbolism (artistic concept)

    Local Subjects: Khmer Rouge; victims

  12. Untitled Untitled (Work) by Le, Dinh Q. (1998)

    Materials and Techniques: photo-tapestry

    Subjects: Cambodia (nation); heads (representations); Lê, Dinh Q.; portraits; symbolism (artistic concept); women

    Local Subjects: duality; Khmer Rouge; victims

  13. Untitled Room, Brush Marks & Rug Untitled Room, Brush Marks & Rug (Work) by Wong, Katarina (1996)

    Materials and Techniques: mixed-media installation

    Local Subjects: Wong, Katarina

  14. Vessel Series (black hair) Vessel Series: Hair (black) in copper vessel (Work) by Chan, Irene (2000)

    Materials and Techniques: mixed-media sculpture

    Subjects: Nature

    Local Subjects: Chan, Irene; body

  15. Untitled Untitled (Work) by Le, Dinh Q. (1998)

    Materials and Techniques: photo-tapestry

    Subjects: Cambodia (nation); Lê, Dinh Q.; people (agents); portraits

    Local Subjects: duality; Khmer Rouge; victims

  16. Self Portrait #18 Self Portrait #18 (Work) by Le, Dinh Q. (1989)

    Materials and Techniques: photo-tapestry

    Subjects: Christianity; identity; Lê, Dinh Q.; religions (concept); self-portraits

    Local Subjects: body; duality; Jesus Christ; self