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  1. Arlan Huang's Artist Notes Artist Notes (Document) by Huang, Arlan (0000)
  2. And He Was Looking For Asia, postcard, pg 1 Exhibition postcard for "And He Was Looking For Asia: Alternative to the Story of Christopher Columbus Today", Asian American Arts Centre, 1992 (Document) (1992)

    Exhibition postcard for "And He Was Looking For Asia: Alternative to the Story of Christopher Columbus Today" at Asian American Arts Centre, New York City, from Sep. 25-Oct. 29, 1992, with artists Mo Bahc, Joanna Osburn Big Feather, Willie Cole, Arlan Huang, Young K, Betty Lee, Jorge Tacla, Barbara Takenaga.

  3. And He Was Looking For Asia, postcard, press release, pg 1 Exhibition press release for "And He Was Looking For Asia: Alternative to the Story of Christopher Columbus Today", Asian American Arts Centre, 1992 (Document) (1992)

    Exhibition press release for "And He Was Looking For Asia: Alternative to the Story of Christopher Columbus Today" at Asian American Arts Centre, New York City, from Sep. 25-Oct. 29, 1992, with artists Mo Bahc, Joanna Osburn Big Feather, Willie Cole, Arlan Huang, Young K, Betty Lee, Jorge Tacla, Barbara Takenaga. (Press release dated: Sep. 10, 1992)

  4. Arlin Huang's Artist Statement Artist Statement(s) (Document) by Huang, Arlan (2005)
  5. Arlan Huang's Resume, pg 1 Artist Resume, [2005] (Document) by Huang, Arlan (0000)
  6. CityArts brochure, pg 1 Excerpts from traveling exhibition brochure "The Creative Process", Public Art Projects realized by CityArts Inc. (1968-1990), 1990-1991 (Document) (1990)

    Exhibition brochure for "The Creative Process: A Traveling Exhibition of Selected Public Art Projects realized by CityArts Inc. 1968-1990" at various locations: The Cork Gallery (Apr 1990), Bronx Museum (Sep 1990), Brooklyn Museum (Nov 1990), and Newhouse Center for Contemporary Art at Snug Harbor (1991).

  7. Four Artists press release, pg 1 Exhibition press release for "Four Artists", Asian Arts Institute, [1983] (Document) (1983)

    Exhibition press release for "Four Artists" at Asian Arts Institute, New York City, [1983], with artists Tomie Arai, Kwok Mang Ho, Arlan Huang, and Charles Yuen.

  8. Arlan Huang & Colin Lee: Wet Paintings, postcard, pg 1 Exhibition postcard for "Arlan Huang & Colin Lee: Wet Paintings", The Catherine Gallery, 1985 (Document) (1985)

    Exhibition postcard for "Arlan Huang & Colin Lee: Wet Paintings" at The Catherine Gallery, New York City, from Feb. 8-Mar. 1, 1985.

  9. Mel Chin Arlan Huang Bing Lee, leaflet, pg 1 Exhibition leaflet for "Mel Chin Arlan Huang Bing Lee", China 2000 Fine Art, 1998 (Document) (1998)

    Exhibition leaflet for "Mel Chin Arlan Huang Bing Lee" at China 2000 Fine Art, New York City, from Sep. 4-Oct. 24, 1998.

  10. Copyright Statement Review "Art in Review: Mel Chin, Arlan Huang, Bing Lee" by Holland Cotter in The New York Times Weekend, Sep. 25, 1998 (Document) by Huang, Arlan (1998)

    http://www.nytimes.com/1998/09/25/arts/art-in-review-mel-chin-arlan-huang-bing-lee.html

  11. Basement Workshop portrait, photograph, front Photograph of group portrait of the Basement Workshop, [1972] (Document) (0000)

    CREDIT: Basement Workshop at 22 Catherine Street, New York City, 1972. Photographer: Bob Hsiang Prints of original with permission of the photographer BRIEF TIMELINE OF THE BASEMENT WORKSHOP AND HISTORY: 1970 Basement Workshop founded 1974 Asian American Dance Theatre founded; Nixon resigns due to Watergate 1988 Thomas Krens, joins Guggenheim 1989 Tiananmen Square Massacre 1990 Collapse of the Soviet Union 1995 Expansion Arts eliminated 2002 President Bush limits the Freedom on Information Act ON BASEMENT WORKSHOP (&/OR DANNY YUNG) by Eleanor Yung "In 1969, I graduated from college and following the footsteps of my elder brother Danny and came to New York. He put me to work right away, making me part of the Chinatown Study Group, working on the Chinatown Report 1969, the first ever research project of New York Chinatown. Part of its Preface noted, '…It is also well recognized that the Chinatown Study Group that research is only one of the two necessary tools with which the problems of racial and cultural minority groups must be attacked. The other is through the initiation of action programs. The two aspects are compatible. Research without subsequent implementation is meaningless, action without basis is frustration. Therefore, in dedicating the findings of our research project to the residents and concerned community organizations of New York Chinatown, we hope that at least a part of the incentive for developing solutions through action programs will come from within the community itself.' I lived on the upper west side in those days near Columbia University where I was attending graduate school, and almost every other day would head down to Chinatown taking the #1 train transferring at Times Square to the N train, and getting off at the Canal Street Station. The token to take the subway ride in those days, I think was 20 cents. One day, Danny called and said to come to Chinatown, he wanted to show me something. He gave me an address where I would find him. I arrived in Chinatown, and following his instructions, landed at 54 Elizabeth Street. Walking down a flight of metal stairs, I found myself looking into a basement room about 16’ x 16’, with a small window in one corner. Danny was beaming, standing in the middle of the empty room, and exclaimed happily, “Well, what do you think?” Then he went on to say that he had just rented this basement, and this will be the place from which we can operate our activities and programs for Chinatown. On that day, Basement Workshop came into existence. It took us another six months or so before we became legal. There were five of us on the legal paper, and about a dozen of us who chipped in to pay the rent. In the spring of 1970, Basement Workshop Inc became official, and everything after that became history." -- Eleanor Yung, 2009 PS. Until his departure for Hong Kong around 1976-77, Danny was a seminal presence for Basement in most if not all of its activities. –- Robert Lee, Asian American Arts Centre

  12. Arlan Huang's Artist Statement, pg 1 Artist Statement for "American Origins" (Document) by Huang, Arlan (0000)

    Transcription: "American Origins" at P.S. 152, Brooklyn, completed 1996 by Arlan Huang.

  13. Born of the Movement and Method, postcard, pg 1 Exhibition postcard for "Born of the Movement and Method", Walter Randel Gallery, 2008 (Document) by Huang, Arlan (2008)

    Exhibition postcard for "Born of the Movement and Method" at Walter Randel Gallery, New York City, from Dec. 12, 2008-Jan. 31, 2009.

  14. Most Violet, press release Essay by Yoo-Jong from exhibition press release for "Most Violet: Paintings 2003-2008", Walter Randel Gallery, 2008 (Document) by Huang, Arlan (2008)

    Exhibition press release for "Most Violet: Paintings 2003-2008" at Walter Randel Gallery, New York City, from Oct. 30-Dec. 6, 2008. Text by Yoo-Jong, Walter Randel Gallery.

  15. Fathers press release Exhibition press release for "Fathers", Asian Arts Institute, 1986 (Document) (1986)

    Exhibition press release for "Fathers" at Asian Arts Institute, New York City, from May 30-June 25, 1986, with artists Tomie Arai, Santiago Bose, Fay Chiang, Bob Hsiang, Arlan Huang, Kazuko, Hugo Kobayashi, Anna Kuo, Yong Soon MIn, Tetsu Okuhara, Kunie Sugiura, Lisa Suzuki, Alvin Tada, Mary Ting, Xing Fei, and Zarina.

  16. Fathers catalog, pg 1 Excerpt from exhibition catalog, Fathers, 1986 (Document) (1986)

    Excerpts from exhibition catalog for "Fathers" at Asian Arts Institute, New York City, in 1986, with artists Tomie Arai, Santiago Bose, Fay Chiang, Bob Hsiang, Arlan Huang, Kazuko, Hugo Kobayashi, Anna Kuo, Yong Soon MIn, Tetsu Okuhara, Kunie Sugiura, Lisa Suzuki, Alvin Tada, Mary Ting, Xing Fei, and Zarina.

  17. Dim Sum, Heart's Desire Dim Sum, Heart's Desire (Work) by Huang, Arlan

    Materials and Techniques: installation

    Subjects: families; group portraits; histories; life; portraits; time

    Local Subjects: Huang, Arlan

  18. American Origins, Red Wall American Origins, Red Wall (Work) by Huang, Arlan

    Materials and Techniques: site specific installation

    Subjects: classrooms; geometric patterns; histories; identity; immigrants; music; public schools

    Local Subjects: Huang, Arlan