A digital archive of Asian/Asian American contemporary art history

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Results 1 through 20 of 226

  1. Copyright Statement Review "Sunlight and Shade Infuse Sculptures" by Roberta Hershenson in New York Times, July 11, 1999 (Document) by Furusho, Kenta (1999)

    http://www.nytimes.com/1999/07/11/nyregion/sunlight-and-shade-infuse-sculptures.html

  2. Copyright Statement Review "Art in Review: Mel Chin, Arlan Huang, Bing Lee" by Holland Cotter in The New York Times Weekend, Sep. 25, 1998 (Document) by Huang, Arlan (1998)

    http://www.nytimes.com/1998/09/25/arts/art-in-review-mel-chin-arlan-huang-bing-lee.html

  3. Copyright Statement Review "A Kinetic Moment For Asian Art: Asian American Arts Center" in The New York Times, March 24, 2000 (Document) by Niizeki, Hiromi (2000)

    Document created by George Billis Gallery. http://www.nytimes.com/2000/03/24/arts/art-review-a-kinetic-moment-for-asian-art.html?pagewanted=all

  4. Hirokazu Fukawa: Sculpture as Abstract Narrative Article "Hirokazu Fukawa: Sculpture as Abstract Narrative" by Roberta Lord on culureport.com, 2000 (Document) by Fukawa, Hirokazu (0000)

    http://www.cultureport.com/cultureport/artists/fukawa/

  5. Copyright Statement Review "The Force of Conviction Stirred by the 80's" by Michael Kimmelman in The New York Times, May 27, 1990 (Document) by Chu, Ken (1990)

    http://www.nytimes.com/1990/05/27/arts/art-view-the-force-of-conviction-stirred-by-the-80-s.html

  6. Byron Goto's Artist Statement and review Artist Statement "Affirmation" and review by S. Horowitz (Document) by Goto, Byron (0000)

    Artist statement photocopied together with the article "Antrim Comedy: Goto Exhibit Provocative" by S. Horowitz in The County Citizen, May 20, 1964